And Soon the Darkness (1970) / Sudden Terror (Eye Witness, 1970)


US Kino Lorber Studio Classics 4K UHD edition - Region all



 


And Soon the Darkness 1970 Directed by Robert Fuest

Surprisingly good Crime Thriller Whodunit (for me that is as I had never heard
of it) well made, well acted and with fine crisp cinematography by Ian Wilson.
The film takes place in northern France and the french countryside is shot in
blistering daylight.

Two British girls are on a bicycling vacation in France, a blonde, Cathy (Michele
Dotrice) and a brunette, Jane (Pamela Franklin). They're followed (or not) by a
a man on a scooter, Paul (Sandor Elès) who mourns his quite recently dead wife.
The girls pass endless cornfields and Cathy whines about how tired she is
and how boring it is. They quarrel and part their ways.

When Jane hears from a café proprietess (Hana Maria-Pravda) that the road is
BAD and has a reputation she returns and start looking for Cathy. But she is
nowhere to be seen and may have been taken, and whom if anybody can she
trust among the locals. Whodunit ?

Film presented in widescreen 1.85:1 with english audio DTS-HD MA 2.0 or
DD 2.0 and english subtitles. Extras:
Audio commentary with director Robert Fuest and co-writer & co-producer
Brian Clemens
Audio commentary by Troy Howarth
Trailer and Radio spots

Sudden Terror (Eye Witness) 1970 Directed by John Hough

An entertaining Chase Thriller with a Kid vs. Dirty Cop that takes place in
Malta. A visiting African president is assassinated and a kid, Ziggy (Mark
Lester) accidently witnesses the execution when the visiting dignitary is
riding in a cortège through the city (Valetta ?).

The boy has seen the assassin and the assassin, the Killer Cop Grazzini
(Peter Vaughan) has seen the boy. As Ziggy most often fantasizes and lies
a lot his big sister Pippa (Susan George) doubt his story.
Pippa and Ziggy's Comic Relief granddad runs the old Lighthouse

Film presented in widescreen 1.66:1 with english audio DTS-HD MA 2.0
and with english subtitles. Extras:
Audio commentary with director John Hough and producer Bryan Forbes
and moderator Jonathan Sothcott
Audio commentary with film historian Howard S. Beger and Nathaniel
Thompson, Trailer and Radio spot

 

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